The film cuts from the flashbacks to Keyzer Soze to Verbal's story in the police station, with Verbal's narration behind the visuals. The flashbacks don't have any dialogue, just sound effects that mostly consist of gunshots and a woman screaming. The shots of Keyzer Soze are all very mysteriously composed, with either side shots or dark lighting that don't allow the viewer to see his face. This approach supports the overall goal of the filmmakers to maintain a mysterious aura around this figure and for the viewer to be able to see Verbal as completely innocent the first time and obviously guilty every time afterwards.
Wednesday, December 17, 2014
Sound-Image and Image-Image Relationships
The film cuts from the flashbacks to Keyzer Soze to Verbal's story in the police station, with Verbal's narration behind the visuals. The flashbacks don't have any dialogue, just sound effects that mostly consist of gunshots and a woman screaming. The shots of Keyzer Soze are all very mysteriously composed, with either side shots or dark lighting that don't allow the viewer to see his face. This approach supports the overall goal of the filmmakers to maintain a mysterious aura around this figure and for the viewer to be able to see Verbal as completely innocent the first time and obviously guilty every time afterwards.
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